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B i o Nevin Şahin (April 30, 1969, Istanbul) His wife Serdar Şahin and 3 daughters, ​ Founder and Chief of Universal Music Society. I took a 5 Year Law course from my teacher Fuat Özdener. I was in the Universal Music Society for 8 years. I took notes and solfeggio lessons from my teacher Ayhan Çakır, a TRT Violin and Viola player for 2 years. I took two years of law lessons and Turkish Music Theory and Procedures from TRT artist Kanun virtuoso, composer and music director Bora Dicle. ​ I am taking law lessons from my teacher Tacettin Şahin at the Law Academy. ​ Alp Arslan Turkish Classical Music Choir I continue every Tuesday between 19:00 - 22:00 at İspirtohane Cultural Center. ​ RUTEV TSM Choir at Tarık Akan Cultural Center I continue every Tuesday between 14:00 - 17:00. Nilgün Güler TSM Grove at AtakentK Cultural Center I continue every Friday between 14:00 - 17:00 ​ I am a 3nd year student at Bakırköy Music Foundation Conservatory . ​ I continue in Nev-Beste Turkish Music Ensemble.

Lessons Law lesson; It is done one to one. As the advantage of private lessons, we provide music theory education (solfege, harmony, etc.) and consultancy with the aim of musicality, along with the technical knowledge of the relevant instrument. Our teacher and students can determine the days and hours of the lesson, in accordance with their convenience. Law lessons are applied individually. We provide Law education to children and the starting age for the Law course is at least ten. Our working hours are between 10:00 and 18:00 every day of the week. We offer Law sales to students who need an instrument. You can contact us for detailed Law prices. We aim to serve children, adults, in short, all art lovers, without sacrificing our quality, with our principled education understanding, our expert instructor staff consisting of men and women. - Comfortable above standards and meeting all needs. - Course hours can be determined according to students' preferences within the bounds of possibility. -To have an instrument for study purposes in our course. About Courses It covers a half-hour class per week, and a six-hour course per month. Course content -NOTA- GENERAL MUSIC INFORMATION - PROMOTING THE RIGHT OF THE LAW -EXERCISES -THEORETICS -ACORT SUBJECT - VARIOUS EXPRESSION TECHNIQUES IN THE LAW (Arpeggio and chord techniques) -TRANSPOSITION - EXAMPLES FROM WEST MUSIC -ARPEJ AND CHORRY TECHNIQUES History of the Law Course Notes Playing Techniques Law Making

Qanun Playing Techniques Qanun playing techniques: ​ *To be able to play qanun, first you should have its training. But at first we advice some important steps. *First, To have the right posture and holding instrument. *The chair should be designed comfortable to sit well. *The chair should not have arms otherwise the arms can prevent to play well and not comfortable for our elbows. *When we put the qanun on our knees, it should be 90 degree angle between the body and knees . To krep the qanun in balance we can use A stand under our shoes. *İn A classical qanun playing technique, our elbows should be close our body but not squeeze because elbows will move forward or backward. *Our knees should be closer to seem respectful. *The main important thing to know about pics strikes is to open and close the thumb and pointer fingers in line. *During playing the qanun straching , rubbing or holding on strings are wrong ways. For having natural sound to use fingers right....... Qanun Work Technique The Qanun has been stolen in different ways by Qanuns (the Qanunmaker) in the past centuries and formed their characteristics. If we give two examples of Calis technique; 1- Elbows are kept close to the body and hands close to the surface of the Qanun. The wrists of both hands are loose. The strings are hit by moving index fingers. It is a soft voice over technique. 2- Elbows are open from the body. Index fingers are kept upright. The wrist is not broken during work. The forearm from the fingers to the elbow moves as a whole. This figure is suitable for "work fast" and for the purpose of making maximum sound from the Qanun. A brighter sound is produced by hitting the parts of the wires close to the bridge and pegs. While playing the Qanun, the left hand moves about four fingers to the right from the pegs board, and the right hand moves on the line between the cages and the skin on the right side of the chest of the Qanun. The normal voice of the Qanun sounds on this area. If the strings are played from the middle of the string, a drummed and sweet voice is obtained. Today, there are those who use the first or second form among the Qanuns, as well as those who use both forms in a mixed way. New learners should definitely refrain from hitting a few plectrums of great value at the beginning. It is necessary to perform each note with a single hit, or tremola should make notes of great value. The Ring Wearing the Finger in Qanun The Qanun rings are made of yellow or white metal, roundly rounded to fit the thickness of the index finger. Curved ends may be tipped or overlapped. Rings are worn first on the index finger of both hands, and then plectrums are passed between the finger and the ring, not too tight. The best plectrum is called the tortoiseshell and is made of sea turtle shell or animal horn. The width of the plectrums is 1-2 mm thick in the middle part and thinner towards both ends. The fineness of these tips varies according to the wishes of the users. The surface of the plectrums should be smooth and shiny. Otherwise, rubbing sound is heard when the spear touches the wires. The plectrum must contact the wire with its entire surface and at an angle of approximately 30 to 45 degrees. When the wire is hit, it should vibrate on three wires that give the same sound. Handle Type of the Tuning Key The round part of the key is held in the palm and the long axis of this part is held in the direction of the thumb and little finger. During tuning, the key is not pressed too much on the auger. First, the wire is rotated so that it loosens more or less, that is, the sound is gone. It is then pulled to the desired pes. Using Coma Latches Depending on the malfunctions in the melody to be played, the more pegs need to be changed, the more pegs are held between the thumb and middle fingers of the hand and are lowered or raised. At this time, it should be paid attention that the latches do not make much noise. Sometimes latches may need to be used for a very short time. For example; During a chromatic (with half aperture) exit, when the latch needs to be held for a very short time, the latch is not held in the slot but is held between the middle and thumbs to lift the wire and is released immediately after the sound is played. If a single latch is to be lowered, only the tab of the middle finger of the left hand is attached by latching. If a single latch is to be lifted, this time it is lifted with a thumb. Chord of Qanun The accord of the Qanun, which normally includes 25 sounds, begins with Neva wires. The neva wires are drawn into the sound heard from a tuning whistle, tuning fork or electronic tuner. Then Yegah with an octave pest, then treble neva in a octave treble, Kaba Yegah wires with two octave peaks are adjusted according to the sound of the neva wires. In order to tune the Qanun, it is necessary to know the quad and quad ranges very well. New learners do not have a chance to tune until they are familiar with these ranges. Tuning can be performed using a piano or organ. Kanun is the most difficult instrument to tune in Turkish music. Latch System in Qanun The latch system in its Qanunis divided into two; 1-Coma System: In the Qanuns where this type of latch is attached, the pillow latch is fixed and 5 latches other than the unused pillow latch are between flat and natural. Each latch gives a coma sound. 2-Conscious System: 6, 7, 8 pegs are attached until the natural sound that comes after the pillow pegs. This system, which usually has 6 pegs after the pillow pegs, gives 6 pegs balance sound. The Use of Latches According to Authorities in the Qanun In Qanuns where 6 pegs are attached except for pillow pegs; In the natural order (in the bench series) 6 pegs are lifted Nihavent tonality (from natural pegs): 6 pegs Hicaz tonality (from natural pegs): 5 pegs Uşşak mode (from natural pegs): 3 pegs Rast Authority (from natural pegs): 2 pegs Hüzzam tonality (from natural pegs): 1 latch down Segah tonality (from natural pegs): 1 latch down Nihavent Makam: 6 pegs are lowered except for the bottom latch on the Si (haze) pitch. 6 pegs are lowered except for the bottom pegs on the Mİ (Hüseyni) curtain. Hicaz tonality: 5 pegs except the bottom latch are lowered on the Si (haze) curtain, and 5 of the 6 sharps on the DO (bench) curtain are removed. 4 of the 5 pegs on the FA curtain are removed. Uşşak Mode: 3 pegs are lowered from the curtain (SIK). Rast Authority: 2 pegs are lowered from the Si (haze) pitch. 4 of the 5 sharps, which are descended from the FA curtain, are removed. Hüzzam Makam: 1 pegs are lowered from the Si (haze) curtain, 4 pegs are lowered from the Mİ (Hüseyni) curtain. 4 out of 5 sharps are removed from the FA (Novice) pitch. Suzinak Authority: 1 latch is removed from the Si (haze) curtain, 4 of the 6 pegs are removed from the M (Hüseyni) curtain, 4 of the sharp pegs are removed from the FA (Novice) curtain, 4 of the natural pegs are removed from the LA (curtain) curtain. Kürdili Hicazkar Mode: 6 pegs are lowered except for the bottom pegs on the Si (haze), Mİ (Hüseyni), LA (dome) curtains.

To see this working, head to your live site. Categories All Posts My Posts Login / Sign up Forum Kanuni Nevin Hoş geldiniz! Etrafa bir göz atın ve tartışmalara katılın. Yeni Mesaj Oluştur Genel Tartışmalar Hikayeler, fikirler, fotoğraflar ve daha fazlasını paylaşın! subcategory-list-item.views subcategory-list-item.posts 3 Follow Domande e risposte Ottieni le risposte e condividi le tue conoscenze. subcategory-list-item.views subcategory-list-item.posts 0 Follow New Posts Nevin Şahin Aug 24, 2021 Kanuni Nevin Forum'a Hoş Geldiniz Genel Tartışmalar Konserlerimiz, etkinliklerimiz, koro, kanun çalışmalarımızı ve yeni çıkan beste ve kliplerimizi buradan paylaşarak beğeninize sunacağım. 💕💕💕 Beğenin ve Abone Olun !!! #beste #klip #türksanatmüziği #müzik #video #youtube #tsm #koro #konser #etkinlik #buşehirdeduramıyorum #nevinşahin #ahsenerkli Like 0 comments 0 Nevin Şahin Aug 24, 2021 Kanuni Nevin Genel Tartışmalar Alp Arslan TSM Korosu 🎶🌺🎤Nilgün Güler & Rutev TSM Korosu 🎼Tacettin Şahin Kanun Akademisi 🎼🌺 BMKV TSM Kon 3.Sınıf Öğrencisiyim 🎶💐 Mesam üyesiyim. Koro, konser, etkinlik,beste, müzik kanun çalışmaları yapmaktayım.📌 #konser #etkinlik #koro #müzik #tsm #youtube Like 0 comments 0 Nevin Şahin Aug 24, 2021 Kanuni Nevin Forum kuralları Genel Tartışmalar Herkesin bu topluluktan en iyi şekilde yararlanmasını istediğimizden aşağıdaki kuralları okuyup takip etmenizi rica ediyoruz: • Diğer üyelere saygı gösterin • Mesajların forumun konusu ile ilgili olmasına dikkat edin • Spam göndermeyin #forum #topluluk #müzik #tsm #youtube #beste Like 0 comments 0 Forum - Frameless

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Kanoun Making kanoun Structure The structure of the kanoun is almost the same as the instruments called “zither” or “cimbal” used in Western music. Kanouns have two structures with 24 or 25 voices. The sound field of 24 voices; from rough yegah (RE) to treble beginner (FA), and from those with 25 voices, from rough yegah to treble neck (SOL). At the top are musicians who use 26 or 27 voice kanouns to add a Treble Muhayyer (LA) or Treble busel (SI). The skeleton of the kanoun is made of lime wood, a soft tree. Skeleton flat corners are also called a dovetail. The chest is made as a mahogany coating on plane or fir, the back on solid walnut or linden plywood. A gusset made of lime wood is glued and screwed to the wide-angle corner where the upper edge and the pegs and auger board meet. Attaching of Wires in Kanoun The slider covering the part where the wires are attached is removed on the right side of the kanoun. A knot is thrown in such a way that it cannot be opened to the end of the wire to be attached. It is inserted into the hole belonging to that wire in the slot on the right side. When the end of the wire comes out from the upper right edge of the kanoun, the knot is pulled into the socket. Then the wire is placed in the notch of that wire on the bridge. After the end of the wire is inserted into the hole of the auger, 1 cm part is bent in the direction of the lower end of the auger and held. The wire is wound on this curled part. Then it is placed in the auger hole. Kanoun Making The production stages of the kanoun instrument and the selection of wood material used in its construction People have chosen music as a tool to tell what is happening around it, to express themselves. They also called these instruments they used to express music. The biggest reasons for the instruments called this instrument to be made of wood are that wood is abundant in nature, sensitive to sound communication, and easy to process. The physical properties of wood material such as weight, hardness, degree of humidity and acoustics should be taken into account in making the Kanoun. Trees should be dried naturally up to 5-7% humidity. Appearance properties of wood, such as color and pattern, are also important. Attention should also be paid to the growing areas and growing conditions of the trees to be used in making the kanoun. It is possible to apply 3 types of varnish, namely shellac varnish, cellulosic varnish varnish and polyester varnish. Kanoun Repair - Repair and maintenance of damage to the main body - Latch change - Threshold repair and maintenance - Twirl change - Wire change - Varnish and polishing maintenance

Course Studies Kanun Etüdleri Kanun Etüdleri

G a l l e r y Nevin Şahin (April 30, 1969, Istanbul) His wife Serdar Şahin and his mother, 3 daughters, Founder of Universal Music Society and Kanuncu Chief. I took 5 years of law lessons from my teacher Fuat Özdener. I have been a member of Universal Music Club for 8 years. I am playing law in Bakırköy, Ataköy İspirtohane and Culture Center, Universal Music Group. I took notes and solfege lessons from TRT Violin and Viola artist Ayhan Çakır for 2 years. I took two years of law and Turkish Music Theory and Procedures training from my TRT artist Kanun virtuoso, composer and music director Bora Dicle.

Course Notes BASIC MUSIC EDUCATION COURSE NOTES What is Music? * There are many definitions about music. All of them are acceptable definitions, but it is difficult to make a general definition that includes them all. However, if he tries to define it anyway, we can say: Music is the regulated voices that describe, express and express people's feelings, thoughts, what they take from nature and sometimes just nature. It is known to exist since the most primitive ages. In Ancient Greek Philosophy, the effect of music is seen intensely. Thus; The words music-music-music-music are of Greek origin. The suffix –ike or –ika, which comes to the end of the word fairy in the Greek alphabet written in mousa letters and read as musa, gives the meaning of the language spoken to that word; As in Elenika (Greek), Turkika (Turkish), Italika (Italian). The word `` iki '', which is added to Moses, also gives the word fairy as the language spoken by the fairies. indicates that attributes are attributed. Music; it is both an art and a science. In addition to its emotional perception, it can also be grasped with intelligence. With this feature, it determines the status of the individual and the society in terms of affection and cognition, as well as an organic structure that provides development and change. The most beautiful form of sound is expressed with music. The picture is a combination of colors; Just as poetry is formed from the fusion of words; music also consists of selecting and processing sounds according to a certain aesthetic understanding to describe our emotions, thoughts and excitement. Sound It is called sound that the sound waves coming from any object reach our ear through air. The human ear can hear sounds between 20 and 20,000 Mhz. The features of the sound can be listed as follows: 1.Voice Height: Refers to the highness (fineness) and pessivity (thickness) of sounds. 2.Voice Sound: It is the color-personality of the sound that can be distinguished. example, human voice, violin sound, piano sound 3. Sound intensity (Strength): It expresses the strength and lightness of the sound. 4. Sound continuity: It refers to the spread of sound over time. Specifies the length and shortness. 5. Voice Emphasis: Emphasis on sounds in terms of expression and interpretation. Rhythm It is the element that ensures the harmonious and orderly ordering of sounds in a certain period of time. solmization It means "reading". It is called reading notes with their names, voices and durations. Bona It is called reading voices only by their names and durations. Strike The method used to rate and measure the times while reading a music structure is called a beat. The stroke is made on the basis of measure. It can be applied with hand, foot or other materials. staff * The shape consisting of five lines and four equal intervals on which the notes are written is called a porte or a knee. The notes are distinguished according to the place they take on the port. Note The note is of Latin origin as a word. The grade is used for recording. It is a term about favoring voices. The universal note language and porte we use today were discovered in the 11th century by Guido d'Arezzo, a priest and musician in Italy. It is the first syllable of every line of a hymn that gives its names to the note. This order was later ordered by adding the sound of si and replacing the word UT in the 17th century: Do, re, mi, fa, sol, la, si. With the sound of La being brought to an international standard, its frequency is 440 Hz. It was determined as. The reason for basing the note La is that babies make a sound when they are born. * Signs that show the height and duration of sounds are called notes. We can think like this: instead of the letters in the text, there are musical notes. Each note points to a certain sound. A person who knows how to read a note understands both the loudness (fineness-thickness distinction) of that sound and how long that note will continue (played or spoken). There are 7 note names: Do-Re-Mi-Fa-Sol-La-Si. These notes are also named in letters according to the English system. The order is as follows: Do: C, Re: D, Mi: E, Fa: F, Left: G, La: A, Si: